Mumbai, Part 1: Kala Ghoda Arts Festival and Architecture Tour
Greetings
from the Mumbai Airport. Matt and I just wrapped up four memorable days exploring
India’s most populous and wealthiest city, and we experienced so much that I’m using
two blog posts to recount the visit!
A bit of
background on Mumbai for
those who are less familiar: It is the capital of Maharashtra state, located in
the middle of India’s western coast. Home to approximately 18.4 million people,
Mumbai is still referred to by many Indians as Bombay, the city’s official name
before it was re-named for political purposes in 1995. Mumbai is known as the
financial and entertainment capital of India with its active port and famous
Bollywood movie industry. Despite the city’s relative affluence, its slums are sprawling
and dense—with 62% of Mumbai residents reportedly living in informal slums. We
noticed incredible diversity in Mumbai, with a visibly influential Muslim
population (20%) in addition to Hindus (66%), Buddhists (5%), Jains (4%), and Christians
(3%). The city’s official language is Marathi, though English is predominately
used for signage, business dealings, and touristic areas. As in Chennai,
traffic can be paralyzing in Mumbai, and oftentimes Matt and I would hop out of
our Uber a few blocks from our destination as we found walking quicker than
waiting in a traffic jam. Apparently Mumbai’s transportation system is
considered one of the most congested in the world, though on an optimistic note
they are investing heavily in an underground metro line that will open in
coming years.
Matt and
I rented a simple private room
in a Muslim family’s apartment located in the Crawford
Market area of South Mumbai for four nights. As we had read in the AirBnB description,
the Crawford Market district in a loud and busy urban hub with relentless
honking cars, salesmen hawking their wares, and countless restaurants lining
the streets.
A quick-ish
side note on eating out in India: Restaurants here are called “hotels” and
clearly mark on their outdoor signs whether they are “Veg” or “Non-Veg” establishments.
This demarcation is helpful and important given India’s religious diversity and
residents’ various dietary requirements. As a vegetarian, I’ve been excited by
the opportunity to order anything from a “Veg” restaurant menu rather than
selecting from only a few options as I would in the US. It’s sort of
interesting to think about how vegetarian food is the base-line for Indian
cuisine and they consider meat, pork, or chicken as an additional element to a meal.
It truly normalizes eating a plant-based diet and reinforces that meat is not
necessary for good health! Millions of people in India eat this way, which is fantastic
to see given the implications for sustainability. Matt is comfortable and happy
to maintain a majority-vegetarian diet here, and we usually split a couple of
dishes with flat chapati bread
or naan during a meal. Another somewhat surprising aspect of almost all Indian restaurants
is the universal inclusion of a Chinese food section within the wider menu.
Everywhere we’ve traveled here so far, Chinese offerings have been a given on
any Indian restaurant’s menu including chop suey, fried noodles, fried rice,
and other staples. We haven’t noticed many Chinese tourists dining at these
establishments, so locals must just love Chinese cuisine!
Back to
the Mumbai experience - Matt and I reunited with an acquaintance from our
William & Mary days, Anna, over dinner and theater in the Fort district of
Mumbai. Anna has lived in India for a year and a half, first in Bangalore and subsequently
Mumbai. We were eager hear her perceptions of the city and country as a whole,
chatting as we feasted on a Palaak Paneer, rice, and other rich Indian dishes at
the historic Café Mondegar.
Lucky
for us, the hugely popular Kala
Ghoda Arts Festival coincided with our visit to Mumbai. The annual event
draws in massive crowds, featuring a chock-full, week-long agenda of events in
cinema, theater, photography, painting, outdoor art, dance, music, and more. We
were first exposed to the festival after dinner with Anna, when the three of us
caught a strange and confusing two-man theater production called “Upside
Downside” that was loosely inspired by Kafka’s Metamorphosis and other short stories of which we were not
familiar. Though the play was advertised as an English-language performance,
only about 75% of the script seemed to stick to that description. 25% of the
play was in another language—we assume Marathi?—which meant we missed critical
punchlines and backstory and left us completely amiss as to the meaning of the
story. It felt strange and slightly disappointing to be the only ones missing
the jokes, but weird stuff happens during foreign travel! After the play we enjoyed
a multi-cultural dance performance at a large nearby park, also observing
Mumbai’s well-established “hipster” culture at work as we were surrounded by
hundreds of college-aged kids in ripped jeans, screen tees, and sneakers hanging
out and joking around.
Dinner at the iconic Cafe Mondegar in Mumbai.
Checking out the art installations at the Kala Ghoda Festival with Anna.
The next day we focused our
energies on taking in Mumbai’s famous architectural landmarks which are most notable
for their blend of Gothic Revival, Indo-Saracenic, and Art Deco styles from
across varying centuries and global influences. Following a few suggested
walking tour routes from our guidebook and online blogs, we began at the remarkable
Gateway of India, of
which I had seen pictures but was still surprised at its massive size. The
structure was erected in the early 1900s to commemorate King George V and Queen
Mary’s visit to India in 1911. We also passed by the elaborate Taj Mahal
Palace Hotel, Regal Cinema, Majestic Hotel, St. Thomas Cathedral, Bombay
University Clocktower, former Prince of Wales Museum, and Flora Fountain. One of our
tour’s highlights was the enormous Chhatrapati
Shivaji Terminus Railway Station, which is a UNESCO World Heritage Site
built in 1887 with a beautiful Gothic Revival design.
The Gateway of India.
At the former Prince of Wales Museum, now called Chhatrapati Shivaji Maharaj Vastu Sangrahalaya.
The Chhatrapati Shivaji Terminus Railway Station.
Aside
from viewing these various structures, we took advantage of the Kala Ghoda Arts
Festival offerings, passing through the heart of the festival where entire
streets were blocked off for pedestrian traffic and were packed with craft
vendors, outdoor art installations, food carts, and thousands of festival
patrons. We especially enjoyed a photography and sculpture exhibit focused on
the life and legacy of Mahatma Gandhi at the Jehangir Art Gallery, showcasing dozens
of prints from a donor’s private collection. The Kala Ghoda Festival was quite an
impressive event! Busier and larger than any arts festival I’ve been to in the
US, no doubt.
Hip Indian young people sitting on top of a wall mural at the Kala Ghoda Festival.
Mahatma Gandhi exhibit at the Jehangir Art Gallery in Mumbai.
Unexpectedly we also came upon a
blocks-long cricket complex where kids and adults dressed in white uniforms were
competing in India’s most popular sport. Vendors sold tea to many of the viewers
and athletes who were waiting for their chance to play. It was comparable to
one of the many soccer tournaments I participated in while growing up, though the
majority of the cricket players were grown men. Matt and I took time to
explore the quieter streets in the surrounding Fort area which house expensive clothing
boutiques, art galleries, and coffee shops. These streets appeared on the surface
as just narrow, winding alleyways but we found them to be buzzing with hip
young folks and wealthy older people alike who were in search of a shopping spree
or a fancy meal.
We
agreed that Mumbai was shaping up to be our most interesting India stop so far,
with endless food options, cultural offerings, and tourist sights to enjoy. I’ll
detail the rest of our visit in my next post!
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